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Monday, October 23, 2006 10:44 AM/EST

Examining Google's Inheritance: Robert Tur v. YouTube

Psst, hey you, the one addicted to blogs and secondary sources. Wanna see an original document? Then come check out the original complaint in Robert Tur v. YouTube, case number CV 06-4436-GAF (FMOx), filed July 14, 2006 in United States District Court, Central District of California.

I thought you'd like to see this doc given today's New York Times piece entitled "We're Google. So Sue Us." So here it is, the lawsuit they inherited when they decided to buy YouTube.

Besides, there's so much bunk and bloviating blatherskite around the Internets, I thought it might be a small service to distribute the original court document so you can judge for yourself the merits of the case. After all, isn't this the DIY generation?

Below, Tur's argument, followed by the specific claims for relief.

BTW, for all you who like to castigate the media for its salacious coverage of disaster porn, you may find a favorite target in Mr. Tur. The complaint lists several of Tur's videos that were on YouTube, including "Beating of a man in brown hatchback with rescue," "Beating of man in white panel truck," "Earthquake," and "North Hollywood Shootout."

Tur's argument against YouTube

  • Robert Tur owns and operates the Los Angeles News Service (LANS). According to the lawsuit, he was first on the scene for the O.J. Simpson car chase and the only one to videotape the Reginal Denny beating during the 1992 riots.
    I clearly remember where I was when the OJ chase came on the tube: An Applebee's on Broad Street in Richmond, Virginia. There's a lot to be ashamed of in that admission, but I promise I haven't been to Applebee's since.
  • Tur has won a Peabody, several Emmies (Emmy's?), and the Edward R. Murrow Award for broadcast excellence.
  • Tur has litigated against assertions of fair use before in at least three cases: LANS v. CBS Broadcasting (2002), LANS v. KCAL-TV (1997) and LANS v. Tullo (1992)
  • Tur's attornies cite the Grokster case, "which ostensibly provides clear limits to the abuse of copyright infringement via the Internet by means of contributory infringement."
  • Infringement on YouTube has occured on a substantial scale (5,500 views of the Reginal Denny beating at time of filing.)
    I tend to think this portion of the argument has legs. To take the devil's advocate position, how is the DMCA useful to copyright owners if the content is viewed thousands of times before it is removed under safe harbor provisions?
  • "Like Grokster and Napster before it, YouTube directs its maket development to the youthful user base familiar with sharing digitized audiovisual media."
    Possibly true, but this is a bad argument. YouTube directs its almost non-existent marketing (if mere presence online can be interpreted as marketing) to no one in particular. I would argue the people who are familiar with digital technology happen to be younger, but happenstance doesn't a marketing plan make. Besides, one of the more popular series of videos on YouTube is by this man, an octogenarian. Why you gotta bring the kids into this, Bob?
  • Unlike Grokster, "YouTube's business model allows it to have actual knowledge of what particular copyrightable files are being distributed, played and copied through its service."
    Which is why YouTube assented to creating a digital fingerprinting system for its partners. However, that system can't be retroactively applied to the "damage" perceived by Robert Tur. I wonder -- is there a danger here, that if the court decides there was damage to Tur's interest, they YouTube be liable to compensate him? And if so, will that open the door to lawsuits against YouTube from before they established their fingerprinting technology?
  • YouTube's principals know that copyrighted material is being shared.
  • Tur alleges that YouTube previewed its service in February 2005 (pre-Grokster) as a "personal video sharing service." YouTube then launched and grew into "the leading video entertainment destination on the Internet."
  • Tagging videos makes it harder to identify copyrighted work.
    I think this is an important point too. Tagging subsitutes a new user-generated taxonomy that doesn't correlate with any established taxonomies, such as copyright numbers. I think it's feasible that a court will someday mandate that companies such as YouTube keep an internal database that associates user-generated tags with copyrights. Fact, I wouldn't be surprised if something like that is part of YouTube's aggreements with its partners. Once you establish fingerprinting technology, it only makes sense to track how users are self-defining your content.
  • YouTube aimed to satisfy the market for copyright infringement, which was comprised of former Grokster users.
    I hope Tur's attornies have internal YouTube biz plan docs to prove that allegation. Otherwise, that's pretty tough to prove.
  • YouTube has big data centers.
    It's not explicitly stated, but I assume Tur's attornies are implying that YouTube doesn't need big data centers if its users are only sharing home videos. That's a silly argument, since user-generated content is growing faster than professionally-generated content.
  • YouTube's business model relies on advertising.
    i.e., in Tur's case, they're making money off the back of other's content.
  • YouTube can handle 110 video formats and 64 audio formats, thus making pirating content easy.
    Oh c'mon. Ease of use = piracy? This is really a bad argument for Tur's lawyers to make, since it's already been established that the technology itself isn't to blame for piracy.
Specific claims for relief

Copyright Infringement and Unfair Business Practices

  • An infringement occurs every time a video is uploaded
  • An infringement occurs every time a video is viewed
  • Plaintiff is entitled to damages, YouTube's profits from the infringements, and attorney's fees
  • Tur is entitled to statutory damages of $150,000 for each work infringed, or other amounts as determined by copyright law (17 U.S.C. 504(c))
  • permanent injunction against YouTube
So there you go. You can download the original complaint here. Please leave your comments below.

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Comments (2)

Robert Tur :

Thank you for your fine analysis of my case against YouTube. Keep in mind when we filed suit against YouTube it was painted by its owners as a struggling company with no income and no profit. We just wanted our material pulled. To this day, dozens of our clips remain on YouTube's servers, and can be accessed by the public. This hurts us directly by diminishing the value in licensing rare or exclusive videotapes for broadcast on the air, home video, or internet. With respect to some of your points made in your online story, you miss several key points, the first being; YouTube has it's own servers. The reason that this is important, is that infringing material is stored on YouTube's own servers. In the NAPSTER case, it was argued that their file sharing service prevented actual knowledge of infringing works being shared or downloaded-that NAPSTER users (like its progeny, GROKSTER) was at the control of it's users alone, something prohibited by the very law that Youtube AND Google asset protects them from copyright lawsuits, the DMCA's section 512 "safe harbor" provision. You correct point out that YouTube is aware of the infringing activity on their web site. Clearly, NAPSTER and GROKSTER had a much better argument for "safe harbor" than Youtube, but In the end, the U.S. 9th Circuit ruled against NAPSTER and later, the U.S. Supreme Court ruled against GROKSTER on this very issue. Second point; Youtube violates every "safe harbor" test the DMCA provides. Just look at any page that broadcasts infringing video (The Simpsons, Saturday Night Live, etc.) and you will see a banner ad running over the video player screen. DMCA states that the OSP or ISP cannot directly profit from the infringement. A banner ad over infringing work is a direct profit. Then there's the issue of control prohibited by the DMCA. Youtube through it's terms and conditions of use, asserts control of video allowed onto their web site. YouTube goes even farther by asserting a licensing interest in videos downloaded to their web site, not to mention their right to pull objectionable content, or edit material. Another important point is, Youtube's assertion that they are an online service provider (OSP). Clearly they are not. Youtube is first and foremost, a commercial website engaged in willful distribution of millions of infringing copyrighted works for a profit. Chad Hurley and Steve Chen have walked across the backs of copyright producers and proven that crime pays-$1.65 Billion to be exact. I have won 6 times in the United States 9th Circuit Court of Appeals on issues of copyright. The reasons were never for profit, but to protect the 10,000 hours of news content that we have stored for the past 28 years at great personal expense. Licensing fees allowed us to repair the helicopter after suffering $134,000 damage caused by gang members during the infamous 1992 riots. Licensing fees also help save lives during that same riot. Los Angeles authorities have publicly said our live coverage of the attacks at Florence and Normandie help direct innocent citizens out of harms way after our police and fire departments had deserted the city. It has also allowed us to locate 9 missing aircraft-saving some of their injured flight crews, and in one case, pull 54 people to safety after their seaside hotel collapsed under the relentless pounding of 22 foot waves and 60 knot winds during 1988 freak storm. No one thing is everything. To you our lawsuit is just a ploy for money, but to us, it's for our very survival, for without copyright protection from video pirates like Chen and Hurley, there could be no financial incentive to create, but steal. Google's assertion "We're Google, so sue us", is arrogant and treats artists, photographers, videographers, cinematographers, actors, union and guild members with little respect or dignity. Fortunately might does not always make right in the U.S. Federal Court system. -Robert Tur ps- i'm in a bit of a rush to start editing a movie and if I didn't address all the facts in depth, or misspelled any words, my apologies!

Steve Bryant :

Thanks for taking the time to write Robert. I hope we can speak in person or on the phone about each of these issues. I also hope you don't think I characterized your lawsuit as a ploy for money, which was not my intent. I understand your position, even if I don't agree with it in full (especially as concerns the Napster and Grokster rulings). I'll be in contact soon. Thanks again.

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